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Artistry with intention. Education with heart. Access for all.

About

Rachel Weishoff is a music and arts educator, mezzo-soprano, and inclusion advocate committed to making the arts accessible, engaging, and meaningful for people of all ages and abilities. With a background in classical vocal performance and arts education, she brings together artistry, empathy, and adaptability across performance, education, and community programming.

Academic & Educational Endeavors
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Rachel specializes in adaptive theater and music education, with a focus on curriculum design for adults with disabilities. She holds an M.M.Ed. in Music Education with an Autism Specialization from Boston Conservatory at Berklee and an M.M.A. in Opera Performance from the Yale School of Music. She also holds a Master of Music in Vocal Performance and Pedagogy and has taught extensively at the collegiate level, including applied voice instruction for undergraduate and graduate students at Yale School of Music and SUNY Purchase Conservatory of Music.


Her academic work centers on adaptive music education, disability justice, and culturally responsive pedagogy. She regularly presents on accessible music education at national conferences and academic institutions, with a focus on Universal Design for Learning and anti-ableist practices. At the Berklee Institute for Accessible Arts Education, Rachel contributes to curriculum design, professional development initiatives, and inclusive teaching strategies for students with diverse learning needs. Her teaching spans higher education, K–12 special education, and community-based arts programs. Whether working in classrooms, universities, or clinical settings, she is committed to fostering creativity, connection, and belonging through inclusive, student-centered practice.

Performance & Community Engagement
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As a performer, Rachel has appeared in opera, oratorio, musical theatre, and recital settings, with a special love for storytelling through song. Her performance career spans both traditional and community-based venues, allowing her to connect with diverse audiences and bring music into a variety of accessible, inclusive spaces. She has been described by Opera News as a “brave, weighty” and “marvelous” singer.

 

Rachel has performed with companies across the United States, including Boston Lyric Opera, Central City Opera, Opera North, Odyssey Opera, Princeton Festival, and Chelsea Opera. In her home state of New York, highlights include principal roles with regional companies, a featured performance in a reading of Sir Jonathan Mills’ Eucalyptus, and her recording of Elizabeth Proctor in The Crucible on Albany Records.In addition to her performance work, Rachel creates customized programming for schools, senior communities, and individuals with disabilities—including general and adaptive music classes, therapeutic music engagement, interactive concerts, and arts-integrated learning experiences.

 

Her work blends professional artistry with the flexibility and empathy required to meet the needs of individuals across the lifespan.Whether teaching, performing, or facilitating, Rachel brings warmth, artistry, and a deep commitment to equity to every space she enters.

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